B E C O M I N G

In which the author selfishly explores personal concepts and ideas that likely hold very little meaning to the World At Large.

Friday, July 30, 2004

The MUFON UFO Symposium

You know exactly what I'm talking about. Scores of strangely dressed people, some with aluminum foil antennae and divining rods, wandering with great and unexplained purpose about the lobby of the grand Omni Netherland. Folk with wild eyes and vacant smiles, more often than not engaged in heavy conversation with like minded skywatchers.

And the queen, Empress MUFON her ownself, draped in blue and silver with gistening black hair, reigned over all. In fact, she quite usurped my place as most exotic creaure in the room. I admired her for days, approving wholly of her multiple wardrobe changes throughout the long day, almost echoing mine in timing. How sleek she looked in her silky metallics, the crisp-edged garments glittering suggestively in the light of the many chandeliers.

I was miffed.

How dare she upstage me, this peddler of pseudo-science, this strumpet of the stars! Never in all my young life had I felt such bald competition, so I imagined. She strolled through her forest of supplicants with a goblet in one hand glowing with lab-created jewels, a calm, "ask me your future" smile on her gently aged face. This was too much.

I envied her all week long, and put more care into my appearance than ever before, which is saying something. I was known to spend hours on my toilette, and thought long and hard even before choosing the right pair of shoes. She was everything I wanted to be and more; how I hated her for it.

Then, the last day, she passed by me in the lobby. Concealing my attention, I watched her only out of the corner of my Great-Lashed eye, but she caught the look. Eyes as wide as mine and just as thickly Maybellined smiled as she spoke: "That's a beautiful blouse," just as calmly as you please. She walked on without another word, sparkling toadies in her wake.

I was secretly elated.

Sonnet: On Atkins

Shapely we stand in second skins and lie
About, inside, around ourselves and say
“The inner She is thin and stylish, why,
She waits only to be chiseled away
With meat and cheese and treadmill agony;
No carbohydrate ever will daunt her,
No Wonder shall inspire larceny;
Finally exposed, I shall ever flaunt her.”
Yet resolution, determination
At best are products of her darker will,
And when spuds are mashed, they cause elation
To sprout within my soul, my need fulfilled.

But which of us shall claim this mortal coil?
My inner first skin: Laura Flynn Boyle

Thursday, July 29, 2004

God Save the Simile

I found a needle in a jar full of pinheads.
You were the one with the eye
To see that I’m the thread that will
Make you complete,
And together we’ll embroider
A tapestry of living that will be
Worth tying a knot in the end.

Convenience

Verse 1
So enigmatic in your silence
Still waters run a fathom deep
But mystery’s a man’s contrivance
He’s helpless in his sleep.
I like those ripples on the surface,
Starting small and spreading wide.
If I go about you with a purpose
You can’t run, but you can hide.

Chorus
All that glitters is not golden
Any wise man tells you this,
But even fools’ gold has a strange appeal
And there’s pyrite in your kiss.
You won’t let your heart be stolen,
This is why of thee I sing.
Availability is golden,
Convenience is a many splendored thing.

Verse 2
Don’t sing me your Salut d’Amour
In a coffee parlor tete-a-tete
Voulez vous coucher avec moi some more
And I’ll be your belle dame sans regret.
I’ll be your Femme Nikita
In stiletto boots I’ll shoot your .45
A semi-automatic Lolita
I’m hollow point and my ammo’s live.

Chorus
All that glitters is not golden
Any wise man tells you this,
But even fools’ gold has a strange appeal
And there’s pyrite in my kiss.
I can’t say you are beholden
Sure don’t want your diamond ring.
Availability is golden,
Convenience is a many splendored thing.

Bridge
Consider the validity of this mentality:
Availability is an underrated commodity.
Sensibility in anonymity
Adaptability to reality
Ambiguity is definitely
A useful ability.

A Nonsong About Unlove

There will be times.
Time enough for bereavements,
Teas, marmalades and wines
Spat all over oily pavements.
We will know the mornings,
Evenings, afternoons
And we will eat at greasy spoons.
Yes, there will be times.

And there will be times
For a thousand reflections
And ten thousand small rejections;
A hundred thousand hard injections
Of the drug of human kindness
While we sip on fertile minds.

For we have known them all:
All the heartaches, all the lies,
All the garbage heaps and all the flies
From all the rotten thumbs
Stuck in all our humble pies.
We have known them, known them all,
We have withered in their pall
But there will be time and times
To find each other, after all.

And as the yellow fog curls round the house
Licking urgently against windowpanes,
We will yet sit, and drink, and talk
Of cabbages and kings.

Draped In Never

These eyes grow heated, newly aged
My voice grows edged and tangled
A season of dust begins; a cage
Of drier love, more angled.
An urgent creeper binds my throat
That over nourished, tightens,
And now I wear a heavy coat
Of life I cannot lighten.

A dark and ragged elegy,
The garment wears like lead.
Hot threads that once would kindle me
Now diminish light instead.
So I sit and weave a song of fate
Dank inside my coat
Draped in never and always late,
Chanting dreams by rote.


Wednesday, July 28, 2004

Necessary Plaster Arabesque

Picture me, if you will, clothed in a flowing silk shirtwaist dress of livid 80's green; black, painful shoes with pointed toes and a threatening heel; scarlet lips and painted brows that would inspire Solomon to blunder about metaphorically.  Think of me as a girl, just 12 years old, straining to seem 20, or better, 25 and fully a woman.  Imagine a girl who became a woman in her head long before she sprouted tits.  When asked what I wanted to be when I grew up, my answer, invariably, was "retired". 

In my head, I floated down a wide, spiral stair in the grande lobbye [sic] of the Omni Netherland Plaza in downtown Cincinnati like a verdant angel (I thought in antiquated words even then; a steady diet of Barclay and McCutcheon will ruin any girl for the modern age).  Actually I teetered down, desperately trying to maintain both balance and composure; the former for the heels, the latter for the fact that the unfamiliar, borrowed silk of my big sister's dress seemed too light and left me feeling exposed.

Of course, it could have been the stares.

I grew up in an artificial lime light.  This statement assumes there must be a genuine lime light, but I've yet to see it.  The problem with lime light is that everything you see is the bilious hue of projected jealousies, and even a pair of rose colored glasses just makes it all a sort of indistinct and confused brown. 

The hotel was beautiful, elegant and restored to its former Art Deco glory.  The plaster arabesques of Erte curled around corners and about the many rich moldings.  Conscious even then of such things, I tried to make my smile match them.  A necessary smile that had to be there, so it might as well blend with the decor.  Red and full and hard; bee-stung lips stretched formally over prominent eye teeth, of which I was quite vain.  Just a budding vampire, waiting to break the flesh of the next sycophant to mistake me for a child.

I remember what it was like to grow up knowing too early what power meant; power of a kind that had only limited range, but infinite scope.  I was a Princess Royal, or Grand Duchess at the very least, brought up to perform like a puppet with a perma-smile.  I was the youngest daughter of Prince John, Defender of the Faith, Lord of the Realm, Senechal of the Waiting and Mouthpiece of the Emporer Himself, May He Live Forever to regret his inaction.

Raised by the best of parents, but unduly influenced by perpetuated lies and unholy bootlickers, I was an odd child with few real friends.  Those friends I did have were counted among the aristocracy.  I like to think that I was guilelessly led into the position, and born into certain immutable privilege that I was powerless to deny, but I think differently now.  If I seemed guileless, it was only because I wasn't really paying attention at the time.  How greedily we all casually sucked up the attention, while damning it in secret conversation.  

I wasn't the only one.

And all about my feet scattered little unimportant ants, little people from little places who knew my name and so did not feel the need to introduce themselves.  Ever.  They had known me since I was born, seen me singing, seen my sometimes outrageous but always expensive clothing and no doubt snickered behind my back.  Didn't I know their names?  Some, but only those I liked, which were few and always rebellious.  I lived vicariously through them, because I couldn't afford rebellion.  Why willingly step down from this pedestal and sacrifice the view?  I can still feel the serfs' sharp shoulders pressing into my throat as I endured their empty yet enthusiastic embraces.

And I sang, oh, how I sang.  I sang their songs and I spoke their words and I coughed it all up every night before bed, hating the wretched taste of tepid, two-faced religiousity.  O Sifuni Mungu this, you tool of a quasi-Christian.

Over all of this unctuous host was spread a cloudy film of gilded filth, and the good seeds grew up rank and thin under its canopy.  The evil ones perpetuated and fed it with a roiling boil of sanctimonious Bible-rot, living solely to spout passages out of context to fit their little beliefs.  Full of fallacies and proud of their shiny veneer, always polishing what would one day be torn from them and shaken over a slow fire of holy exposure.

The truth will set you free, but first it will destroy your innocence.